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Ferragamo Fall 2025: If You Like Pina Collages

Mrs. Anderson’s Mini Non-stick Springform Pan with smooth base is perfect for baking mini creamy cheesecakes, mini flourless cake, and other smaller delicate confections without them sticking. Crafted from 0.3-millimeter-thick professional-quality carbon steel with premium quick-release, non-stick coating that’s PFOA free, and European LFGB approved for added food safety. Heat is distributed evenly for uniform baking, from sides to the center. Specially designed as a 2-piece ensemble, the interlocking band hugs the base to form the sides of the pan so it won’t leak during the baking process. Once the cake is done and cooled, it’s easy to spring the sides open with just a flick of the latch fastener and release the base. Simply lift the expanded band from around the base and the mini confection inside. Baked goods remain on the base for easy serving. Mrs. Anderson’s Mini Non-Stick Springform Pan with a smooth base is perfect for making delicate confections, flourless chocolate cake, tortes, creamy cheesecakes, and more. Made from professional-quality carbon steel (0.3-millimeters-thick) with a premium quick-release, non-stick coating to provide even baking and release baked goods quickly without sticking. PFOA-free and European LFGB approved, and heat safe to 450-degrees Fahrenheit. For best results, use wooden or nylon tools that won’t scratch the nonstick surface. Never cut baked goods in the pan. Hand wash in warm, soapy water and dry thoroughly. Brought to you by HIC-Harold Import Company.Mrs. Anderson’s Mini Non-stick Springform Pan with smooth base for baking mini creamy cheesecakes, flourless cake, and other small delicate treatsProfessional-quality 0.3-millimeter carbon steel with premium quick-release, non-stick coating for uniform baking; PFOA-free and LFGB approvedInterlocking side band hugs the base so it won’t leak during baking; sides spring open to release the base with just a flick of the latchNon-stick surface releases food quickly; no stuck-on, baked-on mess; use wooden or nylon tools; never cut in the pan; instructions includedHeat safe to 450-degrees Fahrenheit; easy non-stick cleanup; hand wash in warm, soapy water and dry thoroughlyShipping Note: Shipping to Alaska, Hawaii, PO Boxes, and APO addresses is not available for this itemWarranty: 90 Day Woot Limited Warranty

Ferragamo Fall 2025: If You Like Pina Collages

NIC + ZOE Firework Foliage Open Front 3/4 Sleeve Bolero Cardigan

Geometric Frame Sunglasses  Green

Since the off-duty model look has gone the way of skinny jeans, how about the off-duty Pina Bausch dancer? Models dressed in handsome wool overcoats and nightgown-like silk gowns tread a runway carpeted in red rose petals, their bare feet slid into furry flip-flops at the Ferragamo show, which saw creative director Maximilian Davis continuing to explore the world of dance. (Last season was ballet.) The late German choreographer had no specific connection to Ferragamo, but her troupe’s style signatures – long, stick-straight hair, handsome coats and long, silky dresses – resonate still, and continue to inspire fashion designers. Davis zeroed in on the presence of flowers in her work – a mountain of red roses for “Der Fensterputzer;” a sea of pink carnations for “Nelken” – and scattered petal embroideries on dresses, or agglomerations of them on the ankle straps and toe boxes of mid-heeled shoes. You May Also Like “Ferragamo was very known for using flowers as prints as an embroidery,” he said backstage, noting that a troll through the archive also unearthed a lot of footwear with flower details. This rates as Davis’ smoothest Ferragamo show yet, hardly a barn burner, yet pleasing in its restrained palette of red, camel, white and black, and its devotion to enduring and “normal” clothing archetypes, as Bausch favored. And so there were knit tube dresses, double-breasted topcoats, satin skirts and sheer flapper dresses banded with shearling and lace for modesty. Swooping stoles and scarf-like necklines have been a recurring theme this season, which can probably be traced back to Matthieu Blazy’s hit Bottega Veneta collections. Here, they gave drama to simple gray sweaters and tweed coats. Sometimes sleeves on tailored garments gave the impression of stoles, or stoles with sleeves served as an alternative to a bolero. Capitalizing on the popularity of its Hug bag, Davis transposed its sagging buckle hardware onto leather blousons and suits, and as an offbeat, double-pouch belt bag. He figures Bausch would smile on its utilitarian intention.

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